Tiny chip upper right, minute dark marks in the
sky are printing flaws, surface has a few very
light scratches approximately in a circle so
presumably used for a teapot or plantpot stand at
some time. Very clean, brilliant glazes and super
bright colours. Style/technique: Dutch scene glaze
painted A pretty and brightly coloured dutch scene
tile with printed outlines and painted in
glazes. As dutch scenes became popular on
English tiles in the middle of the edwardian era
they appeared in all of the usual techniques
this by Richards being an unusual technique and
practiced by few. Glaze paintiung was a most difficult
technique for the glazes would run in to each
other and merge in firing so soon after the
introduction of lead glazed majolica tiles the
majority had a raised or indented outline to
contain their flow. Another rarer technique,
cuerda seca, used painted outlines with oil as
medium for the clay/stain rather than water, the
oil resisted the water-based stains and helped
the keep them apart. Without such outlines few
companies attempted glaze painting and only
those whose glaze technology was very advanced,
Sherwin & Cotton, Marsden and Craven
Dunnill. Printing afforded no such physical
barrier so these designs always show some
bleeding, they continued in to production until
the 1930s, or at least were reintroduced then,
but still the glazes ran two decades later. Early example of the series can clearly be
identified as approximately 1905 - 1908 by the
verso style, Richards had a vast catalogue of
modern designs and reintroduced many in the
1920s and 1930s. The image is full size at 72 dpi (about 430
pixels wide) in maximum quality JPEG format and on
screen is about the size as it would be in real
life at the same distance. A larger 120 dpi image
also in maximum quality JPEG format can be
forwarded by email if required. The image is a little oversize rather than
cropped close to the edges so that the edges can
easily be seen and any chips etc can be quickly
spotted. Other marks described are usually not
visible at all when the tile is viewed straight as
one normally sees it and can only be seen with a
critical eye when the tile is tilted to catch
imperfections in reflected light. For more details
of how we describe marks see Condition.
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