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Minton Gothic Enamelled Majolica Tile


• Condition: Fine
• Price: £180 (approx. $248)
• Stock number: 07298

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Very minor chipping/losses bottom edge near left corner, no other damage, some fairly typical glaze bubbles mostly in the red.


 

• Style: Gothic
• Technique: Enamelled majolica
• Maker: A. W. N. Pugin (designer)
• Maker: Minton & Co. (factory)
• Dimensions: 6" x 6"
• Date: 1865 (circa)

 

A superb example of traditional majolica tile, opaque glazes on a coloured clay body. Eight colours on any kind of Victorian tile is rare and these are clear and bright. Truly a work of art requiring excellent painting skills.

To my mind the best of the genre from Minton, the design bold, full and complex in the gothic taste with fabulous colours including mauve, red, black and purple. Few designs in this technique are complete on a single tile most are for borders, friezes, pilasters etc. or for large areas the design flowing from one tile to the next.

Very durable tiles such that they were quite frequently used in exterior walls, they are some of the best quality tiles ever made and cost a small fortune in their day. So familiar the excellence being unforgettable yet according to my records this the first I have bought for a decade.

This is almost certainly a design by A W Pugin who was a close associate of Herbert Minton as relayed by Barnard:

Pugin (1812 - 1852), the pioneer of the Gothic Revival, was an intimate friend of Herbert Minton's. Writing in 1861, Benjamin Ferrey says that, "among the various objects occupying Pugin's attention, not one received a greater share than the revival of encaustic tiles."

The preface to 1880s Mintons China Works tile catalogue states:

The process for the decoration of tiles was favoured by the late Mr A Welby Pugin, "the great restorer of Gothic Art," in the Houses of Parliament and in many other places, and the patterns in that style of ornament in this book are all from his hand.

The pattern number 154 would be from the first few years of tile making by Herbert Minton, possibly as early as 1835. Of course it would then have been made as encaustic rather than majolica and probably only in two or three colours. It is taken that the 'M' suffix to the pattern number refers to majolica.

Verso very clean, embossed Minton & Co., Stoke on Trent.

 

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